Wandering Through Chicago's Arts and Culture

33 Variations by Moises Kaufman directed by Nick Bowling Timeline Theatre Company at Stage 773, 1223 W Belmont, Chicago 8/24/2012–10/21/2012 As I watched the play this evening I was struck by the fact that the ending to Act I is a fugue for actors. (I failed to pay attention to what the piano was doing during this finale so it may have well been Beethoven’s fugue along with the actors’ fugue.) Musing about things during intermission I focused on the notion that musical composition is generally a motif followed by instances of repetition, sequence and variation based on that idea. The Diabelli waltz actually yielded three (or possibly four, I am depending on external analysis here, not my ears) motifs from which Beethoven constructed the finished set. On the way home I mused over what the underlying motif of the Kaufman play might be. I walk about a mile and a quarter to get home from Stage 773 or Theater Wit so I had a good deal of time to muse. Upon arriving home I thumbed through t